2010-01-25

Sex in opera

2013-09-06:

Have any operas been performed yet which incorporate actual sex within the opera?
Certainly many performances of opera from the classical repertoire,
from Monteverdi’s Ulisse and Poppea on,
have featured the star divas engaging in highly suggestive behavior.
But what about real, out-and-out, unclothed, unsimulated sex acts?
I.e., an X-rated opera.
I am not aware of such.

Anyhow, surely some have thought of such an idea.
It would certainly expand the audience for opera.

What sopranos (or altos) might be willing to and be successful at
performing in such a dual role, both singing and performing sex?
Most likely, they would be from the younger generation.

But I would like to propose three now middle-aged divas
who I, personally, think would be outstanding in such a role.
One is Catherine Nagelstad (born 1965), who did such a fantastic job of combining great singing with excellent acting in her (1999) performance in Alcina by Handel.

Click here for another upload of the same the video.
She proved that her singing quality and acting ability still are as great as ever
in her performance as Brünnhilde in Wagner’s Siegfried.


another soprano is Lucy Crowe,
who has appeared in several masterpieces from the Baroque era,
in both a staged and non-staged setting,
where she has combined excellent singing with an evident willingness to stress her womanly attributes.

The third is Carolyn Sampson,
featured. e.g., in these three arias from Semele.


Would they consider going “all the way”?
If so, I am sure they would win even more admirers.



See the post Salome: Nudity in Opera, and links from that post,
for quite a discussion of the post's title topic.




Some opera productions certainly have some vivid examples of simulated sex:

Handel, Alcina, Patricia Petibon, Festival d'Aix-en-Provence 2015

(Available on Warner Classics if not at YouTube!)

And some have quite a bit of nudity:

Alban Berg, Lulu, Calixto Bieito directing




Finally, some opreratic productions do manage to just be quite sexy.
E.g., the ultra buff lady soprano in this production of Janacek's Makropulos Affair:  
https://youtu.be/gPOkG40fwT0
which certainly features two very good points :-)

2010-01-22

Opera

An interesting set of reviews of operas on DVD is at
http://lens-views.com/Operas/Opera_Index.html.
I discovered this by a Google search on Handel's Deidamia,
where their highly favorable review of the 2012 Nederlandse Opera's production
accords well with my equally favorable opinion of the video.

2010-01-14

Patriotism

Rule Britannia - Last Night of the Proms 1990
Featuring:
Ann Murray - mezzo-soprano
Lesley Garrett - soprano
Håkan Hardenberger - trumpet
With the BBC Symphony Orchestra, BBC Singers and BBC Symphony Chorus
Conducted by Andrew Davis
Performed at the Royal Albert Hall, London on Saturday 15 September 1990

2010-01-13

Saint Cecilia

Saint Cecilia












Purcell Z.328 Ode to St. Cecilia


@Wikipedia; Text
Andrew Parrott conducts the Taverner Consort and Players:

Video:
  1. 0:22 I. Symphony
    10:10 II. Hail, bright Cecilia! (Recitative & [10:38] Chorus)

  2. 0:10 III. Hark! hark! each tree
    4:10 IV. ’Tis Nature's voice
    7:38 V. Soul of the world

  3. 0:10 VI. Thou tun’st this world below
    6:00 VII. With that sublime celestial lay
    8:40 VIII. Voluntary (in D minor) - [12:25] Wondrous machine!

  4. 0:10 IX. The airy violin
    1:40 X. In vain the am’rous flute
    7:42 XI. The fife and all the harmony of war [****]
    10:54 XII. Let these amongst themselves contest

  5. 0:10 XIII. Hail! Bright Cecilia
    1:16 Who, whilst among the Choir above
    2:25 XIV. With rapture of delight
    3:20 Hail! Bright Cecilia

The above is really a gorgeous work and performance.
I would love to see a video of it.
Appended after the Parrott performance is one by
Gabrieli Consort, Gabrieli Players, Paul McCreesh.






Handel HWV 76 Ode for St. Cecilia’s Day


@Wikipedia; Movements; Texts

Handel: Ode for St Cecilia's Day
Les Musiciens du Louvre
Conducted by Marc Minkowski

or
Handel: Ode for St. Cecilia's Day by Les Arts Florissants
Conducted by Paul Agnew

Handel: Ode for St. Cecilia's Day by Les Arts Florissants
Conducted by Paul Agnew

2010-01-10

Westerns

See all videos in a continuous stream (as a playlist):






The following two videos have the same audio, different video.



2010-01-05

Soprano faceoff




































Handel’s Ode for Saint Cecilia’s Day

Lucy Crowe:

For the first 30 seconds of this the tenor reads the text
that the soprano and chorus will be singing for the next 8 minutes.
The music starts at 0:38 with the soprano, Lucy Crowe:
[0:38] “As From The Power Of Sacred Lays”
[3:00]“The trumpet shall be heard on [3:08]high[3:17]” Soprano (Lucy Crowe)
[3:28]“The dead shall live, the living die” Chorus

Sophie Daneman:
Sorry, no embed is available for this, so just click as desired below:
This selection begins with Ms. Daneman singing the text
“But bright Cecilia raised the wonder higher”,
then continues with
[0:57]“As From The Power Of Sacred Lays” [text]
[3:09]“The trumpet shall be heard on [3:18]high[3:28]” Soprano (Sophie Daneman)
[3:40]“The dead shall live, the living die” Chorus

What a feat!
To maintain that high fortissimo for 10 seconds, without a breath.
Looks pretty tough to me :-)
But I am not a singer; I have no idea how common that ability is among singers.

2010-01-01

Overview

From the comments to the first part,
there are doubts about the authenticity of the supposed Greek music
sung at the beginning here.
But other than that, this certainly provides a fast overview of
the whole magnificent panorama of Western music!
Note that it continues up to Part XX!



History of music - Part I (From ancient Greece to renaissance) 7:31
Seikilos epitaph
Gregorian chant
Organum
Neidhardt von Reuental: Winter wie ist nu dein Kraft (minnesang)
Guillaume de Machaut: Missa Notre Dame
Guillaume Dufay: Deus tuorum militum
Jean Ockeghem: Missa Ecce ancilla Domini
Josquin Desprez: Missa Pange lingua
Adrian Willaert: Qual dolcezza giamai
Giovanni Pierluigi da Palestrina: Missa Papae Marcelli
Orlando di Lasso: Mattona mia cara, Osculetur me
John Dowland: Time stands still

Part II (Baroque) 9:23
Claudio Monteverdi: Ariadne´s complaint, Madrigals of War and Love
Girolamo Frescobaldi: Fiori musicali
Jean Baptiste Lully: Acis and Galatea
Arcangelo Corelli: La Folia, Concerto grosso in G minor
Johann Pachelbel: Canon
Henry Purcell: Three parts upon a ground
François Couperin: Pièces de clavecin
Antonio Vivaldi: The Four Seasons, Guitar concerto in D major, Violin concerto in A minor, Concerto grosso in C major, Gloria
Georg Philipp Telemann: Suite in B flat major
Jean Philippe Rameau: Pièces de clavecin en concert

History of music - Part III (Baroque) 10:22
Georg Friedrich Händel: Music for the Royal Fireworks, Water music, Serse (Xerxes), Concerto grosso op. 6, Messiah
Johann Sebastian Bach: Toccata and Fugue in D minor, Brandenburg concertos, Preludium in C major, Badinerie, Air, Chaconne, Cantate BWV 147, Double violin concerto, St. Matthew Passion
Domenico Scarlatti: Harpsichord sonata in D major
Giuseppe Tartini: Devil´s Trill sonata
Giovanni Battista Pergolesi: Stabat Mater

History of music - Part IV (Classical) 8:15
Carl Philipp Emanuel Bach: Quartet in A minor
Christoph Willibald Gluck: Melody for violin and piano (from Orpheus and Eurydice), Dance of the blessed spirits (from Orpheus and Eurydice)
Jan Václav Stamic: Symphony in A major
Jiří Antonín Benda: Symphony in B flat major
Joseph Haydn: Trumpet concerto, Symphony nr. 94 "Surprise", Cello concerto in C major, Quartet in C major "Emperor", Quartet in D minor "Quinten", Symphony nr. 104 "London"
Josef Mysliveček: Il Bellerofonte
Carl Ditters von Dittersdorf: Violin concerto in G major
Luigi Boccherini: Minuet
Antonio Salieri: Sinfonia Veneziana
Muzio Clementi: Sonata op. 25 nr. 5

History of music - Part V (W. A. Mozart) 10:36
Wolfgang Amadeus Mozart: The Marriage of Figaro (Le nozze di Figaro), Eine kleine Nachtmusik (A Little Night Music), Rondo alla Turca, Don Giovanni, Clarinet concerto, Violin concerto in G, Symphony nr. 39, 40 and 41, Divertimento in D, Sonata facile, Piano concerto in A, The Magic Flute (Die Zauberflöte), Quintet for clarinet and strings, Requiem

History of music - Part VI (L. van Beethoven) 9:35
Ludwig van Beethoven: Symphony nr. 5 in C minor, Für Elise, Symphony nr. 3 in E flat major "Eroica", Symphony nr. 6 in F major "Pastoral", Violin sonata nr. 5 in F major "Spring", Piano concerto nr. 5 in E flat major "Emperor", Piano sonata nr. 8 in C minor "Pathétique", Triple concerto for piano, violin and violoncello in C major, Romance for violin and orchestra in F major, Piano sonata nr. 14 in C sharp minor "Moonlight", String quartet nr. 16 in F major, Violin concerto in D major, Symphony nr. 7 in A major, Symphony nr. 9 in D minor (with Ode to Joy)

History of music - Part VII (From classical to romanticism) 10:27
Niccolò Paganini: Caprice nr. 24 for violin solo, Violin concerto nr. 2 in B minor "La Campanella"
Carl Maria von Weber: Der Freischütz, Invitation to the Dance
Giacomo Meyerbeer: Robert le diable
Gioachino Rossini: The Barber of Seville, William Tell, La gazza ladra
Franz Schubert: Symphony nr. 8 in B minor "Unfinished", Die schöne Müllerin (Ungeduld - Impatience), Piano Quintet in A major "The Trout Quintet" (Forellenquintett), Ave Maria
Gaetano Donizetti: L´elisir d´amore
Hector Berlioz: Harold in Italy, Fantastic symphony
Johann Strauss I: Radetzky March

Part VIII (Romanticism) 10:34
Mikhail Ivanovich Glinka: Ruslan and Lyudmila, Ivan Susanin
Felix Mendelssohn-Bartholdy: A Midsummer Night´s Dream, Violin concerto in E minor, Symphony nr. 4 in A major "Italian"
Fryderyk Chopin: Fantaisie-Impromptu in C sharp minor, Ballade in F major, Étude in G flat major "Black Key Étude", Nocturne in E flat major, Waltz in D flat major, Étude in C minor "The Revolutionary Étude"
Robert Schumann: Symphony nr. 1 in B flat major "Spring", Scenes from Childhood (Dreaming - Träumerei), Piano concerto in A minor

Part IX (Romanticism) 10:12
Ferenc Liszt: Les Préludes, Dream of Love (Liebestraum)nr. 3, Mephisto waltz nr. 1
Richard Wagner: Tannhäuser, Lohengrin, Valkyrie (Die Walküre)
Giuseppe Verdi: Aida, Rigoletto, The Troubadour (Il trovatore), La traviata, Nabucco
Charles Gounod: Ave Maria
Jacques Offenbach: Orpheus in the Underworld
César Franck: Violin sonata in A major, Symphony in D minor

Part X (Romanticism) 10:40
Bedřich Smetana: Vltava (Die Moldau), Prodaná nevěsta (The Bartered Bride)
Anton Bruckner: Symphony nr. 4 in E flat major "Romantic", Te Deum
Johann Strauss II: The Blue Danube (An der schönen blauen Donau)
Johannes Brahms: Symphony nr. 1 in C minor, Hungarian dance nr. 5, Waltz in A major, Symphony nr. 4 in E minor
Alexander Borodin: Polovetsian dances (from Prince Igor)
Camille Saint-Saëns: The Carnival of the Animals (The Swan), Cello concerto nr. 1 in A minor
Max Bruch: Violin concerto nr. 1 in G minor

This continues up to Part XX!
I will leave you to find your own way as far as you desire.
If you click, not on the triangle, but on the title,
it will come up in its own window
with some side links to some of the other entries.




Also of interest:
2011-01-09-Tommasini-Choosing-the-greatest-composers
Choosing the Ten Greatest Composers
By ANTHONY TOMMASINI
New York Times, 2011-01-09

2011-01-23-Tommasini-The-greatest-composers
The Ten Greatest Composers
By ANTHONY TOMMASINI
New York Times, 2011-01-23

Tommasini’s list:
1. Bach
2. Beethoven
3. Mozart
4. Schubert
5. Debussy
6. Stravinsky
7. Brahms
8. Verdi
9. Wagner
10. Bartok

KHarbaugh would include Monteverdi, Handel, and Papa Haydn
and ditch Schubert, Debussy, Stravinsky, Brahms, and Bartok.
In particular, how on earth could Tommasini omit Handel?